Selected Work

PAW Patrol: Dino Movie Cinema TVC

Cinema TVC · Spin Master

Batman RC: AI Mock TVC

AI Modelling and Augmentation · Spin Master

Real Estate: AI Stills to Motion

AI Motion Pipeline · MCG Royale Penthouse

PAW Patrol: AI Templated POS

AI Point of Sale Animation · Spin Master

American Tourister: It Can Take It

Broadcast TVC · American Tourister

Jumanji: Bring the Adventure Home

Broadcast TVC · Spin Master

Adriatic Furniture: Made for Melbourne

Broadcast TVC · Adriatic Furniture

Jamie Durie: Living with Purpose

Web Series · Repurpose It

Beyond Blue: Mental Health Testimonials

Online Film · Beyond Blue

Sport Integrity Australia: Protecting Sport Together

Government · Sport Integrity Australia

Cannabis Card: The Future of Regulated Digital Transactions

Animated Explainer · SMJ

Direct Connect: Fast and Curious

Social · Direct Connect

Cricket Australia: Logo Animation

Logo Animation · Cricket Australia

5 photos

PAW Patrol: Dino Movie Cinema TVC

Cinema TVC · Spin Master

Real Estate: AI Stills to Motion

AI Motion Pipeline · MCG Royale Penthouse

American Tourister: It Can Take It

Broadcast TVC · American Tourister

Jumanji: Bring the Adventure Home

Broadcast TVC · Spin Master

Adriatic Furniture: Made for Melbourne

Broadcast TVC · Adriatic Furniture

Jamie Durie: Living with Purpose

Web Series · Repurpose It

Beyond Blue: Mental Health Testimonials

Online Film · Beyond Blue

Sport Integrity Australia: Protecting Sport Together

Government · Sport Integrity Australia

Aerial Montage

Aerial filming and photography
Flight mission planning
CASA liaison and permit management
Insured for Australian airspace
Certified drone operations
RePL · Chief Remote Pilot
AROC · REOC · Cert III Aviation

I fly a fleet matched to the job: heavy-lift platforms for cinema cameras, mid-size aircraft for broadcast and commercial work, and sub-250 gram drones for tight or sensitive locations a larger aircraft can't reach.

I hold a CASA Remote Pilot Licence and Remote Operator's Certificate, am insured for Australian airspace, and handle CASA liaison, flight approvals and permits myself. Behind the drone work sit 150+ hours shooting from helicopters and fixed-wing aircraft, so the aerials cut naturally with the ground footage.

For a single hero shot or a multi-day production, I arrive in a purpose-built vehicle with onboard power, charging and mobile take-off platforms.

I finish the aerial work myself: colour grading, image enhancement, stabilisation and AI-assisted augmentation, through the same pipeline as everything else.

Strategy Cadet: Explainer

AI Explainer · Strategy Cadet

9 boards

Brand Identity

Brand Identity · MoveOnce

4 photos

Unicorn Academy

OOH Campaign · Spin Master

5 boards

Big W Toy Gantry

OOH Retail · Spin Master

Toyota AFL: First Bounce

Stadium LED Animation · Toyota

Cricket Australia: Logo Animation

Logo Animation · Cricket Australia

Cannabis Card

Animated Explainer · SMJ

Direct Connect: Fast and Curious

Social · Direct Connect

Flipacar

Animated TVC · Flipacar

Best Drive: Test Drive

Corporate Film · Best Drive

Everything in this section was made with AI and finished by hand. I direct it the way I direct a shoot: story first, then composition, light, movement and pacing, then the edit, grade and finish to broadcast or cinema spec.

I'm platform-agnostic. I've worked with all the major AI video and image models, including Veo, Kling, Runway, Higgsfield, Pika, Sora, Luma, Hailuo, Wan, Seedance, Seedream, Nano Banana, Midjourney and Flux, and I choose the right one for each shot. More and more I work through my own harnesses, built in Claude Code and Python, that call the models directly for control over seeds, references, conditioning and cost. For brand work I train custom LoRA models on a client's products, talent and assets and run them through ComfyUI with ControlNet, so the product stays true to life on screen: its shape, materials, colour, packaging and graphics, with brand fidelity held from frame to frame.

That lets me take a print campaign to motion, animate point-of-sale from a stills library, relight and extend existing footage, or build a full TVC without a shoot. The client's existing assets do most of the work, and turnaround is measured in days.

McLaren Artura: AI TVC

AI TVC · McLaren · York AI Studios

AI-assisted content production
Localisation and versioning at speed
Custom pipelines and LoRA training
Coming soon

Stuart Gosling

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Aerial Montage